Art Writing

(In)explicable (Im)material: A Review of Noelle Africh’s “Superstition” at Slow Dance
Published in Newcity, July 2nd, 2024

Earth Tones: A Review of Soumya Netrabile’s “mono no aware” at the Andrew Rafacz Gallery
Published in the New Art Examiner, May 3rd, 2024

Transcending the Grid: A Review of “(No) Room for Doubt” at Devening Projects
Published in the Chicago Reader, February 20th, 2024

Qualia and Computation: A Review of Jonathan Worcester’s “Tempers” at Cleaner Gallery + Projects
Published in Newcity, January 24th, 2024

Life Forms: A Review of Scott Wolniak’s “Crosscurrents” at Goldfinch
Published in Newcity, October 2nd, 2023

Nature of Images: A Review of Robert Chase Heishman’s “foliage (#576c43) and blue sky (#627a9d) for how long?” at the University Club of Chicago
Published in Newcity, July 17th, 2023

Flat Isolation and the Banality of Surveillance: A Review of Japeth Mennes’ “Waltz” at 65Grand
Published in Bridge, May 8th, 2023

Puddles and Pathos: A Review of Shona Macdonald’s “Weather Accents” at Boundary
Published in Newcity, March 24th, 2023

Excavated Images: A Review of Liat Yossifor’s “Life Against Itself” at PATRON
Published in Newcity, February 23rd, 2023

Layered Visions: A Review of Cole Pierce’s “Counterbalance” at The Mission Projects, The Residence
Published in Newcity, February 10th, 2023